Sorry, guys. It’s been far too long!
So I’ll do a little thing here. I’m inking page 79 right now. For reference, Chapter 2 has 81 pages, so JUST THINK WHAT THAT MEANS! It means that I’ll likely be done with Chapter 2 by the end of the year. It won’t be out quite then, though. I think I’m going to do some more revisions to Chapter 1 first, then put them both up online for consumption! There’ll be a Chapter 2 stand-alone thing, and a Chapters 1 and 2 omnibus thing, which is sort of a thing for me so that I can see how the book is reading. Hopefully it is reading well!
I’m listening to a lot of David Bowie, as you may know if you know me. It’s starting to hanker me (did I use that word right? Whatever. In working-on-planning-on-working-on Album #5, I keep saying to myself “It’s got to be like Scary Monsters,” or “It’s got to be like Low,” or “it’s got to be like Hunky Dory.” The other day I realized that what I’m really saying is “It’s got to be good.”
I listened to “Never Let Me Down” today, which is often regarded as his absolute nadir (more so than Tin Machine!) My official opinion is “it’s not actually bad, y’all.”
Here’s what I wrote about it on my tumblr today:
“I’m listening to the much-maligned ‘87 (and Cry) Bowie album, “Never Let Me Down.”
I’m shocked, honestly. Because I don’t think it’s nearly as bad as it’s cracked up to be. I think it’s a lot better than “Tonight,” the album that came before it! Sure, it’s wayyy 80s, and it’s very very busily produced, but I think it’s got a lot of great moments in its 80s production. And the songs aren’t bad, either! They still have catchy melodies! What’s the deal, universe? Just because a Bowie album doesn’t sound like “the future” doesn’t mean it’s bad.
Thus far, the only real “UGH” moment is the monologue that begins “Glass Spider,” but the song that follows is pretty great!”
It’s true, it’s a far-out album. Give it another chance, guys! You all used to hate Lodger, too, and now look at you! (Never Let Me Down is not as good as Lodger.)
Lastly, a couple of weeks ago I played a show with Pool Holograph, Granny Frost, and Renee-Louise Carafice. It was quite an exciting night, lemme tell ya, since I’ve listened to Renee’s song “House on Fire” on repeat for most of the last two months. She is a very nice person, too! It’s so great when people you like listening to are also people who are nice to talk to! Anyways, my usual policy of “video taping my own shows” fell through (due to a cable pressing the record button off, I think), and there’s no video proof of the show.
But someone at ElasticArts, where the show happened, bootlegged it! With mic stands and everything! It’s like my first bootleg, guys! A recording I didn’t do!!! Be stoked.
And, because I love you, here’s the set. It’s one file, but the tracklist is in the “comments” section of the info. Also important about this set is the return of “All Things Being Equal” to the set, and the inclusion of a brand-new song, “Burque Spirit!”
Violet Mice, 12.5.09
Enjoy!
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